cemeteries – bruecken_schlag

Schlagwort: cemeteries

Memory as Morbidity – Mostar’s Partisan Monument

I came to Bosnia this time around wanting to relax, to let go, and to find inner peace. I wanted to go somewhere I knew, without feeling the inner pressure of needing to discover a new place and finding out how it works. I didn’t want to wake up in the morning thinking: Today I need to see the following twenty-five things, or else I won’t feel like I have properly visited this place. So I came to Mostar, strolled the familiar streets, noticed how it had changed, but also felt very much at home.

In spite of that, I wouldn’t be me if at some point the urge hadn’t occured to dig deeper and expose myself to as of yet unknown impressions. And so I went to a place in Mostar I had never been to, that hadn’t even been on my inner map of the city. I went to the Partisan Memorial Cemetery, or Partizansko Groblje. And I discovered yet another part of Mostar that helped me understand the city and the complexity of the Balkans‘ history.

The Partisans of the former Yugoslavia are somewhat of a founding myth of the state. I have colleagues who do extensive research on them, and not only their military history, but also their culture – their songs, their manifestos etc. The way it was explained to me, there is a very plausible reason that they are so important. You may know that during the Cold War, Yugoslavia was a non-aligned nation. They were socialist, yes, but they didn’t „side“ with the Soviet Union. That was possible only because the Red Army didn’t free them from fascist rule in World War II – their own people, the Partisans did. Based on their victory, the Socialist Federal Republic of Yugoslavia could come into existence, and was a really well-functioning state until Tito’s death in 1980. But that’s a different story.

I had learned about the monument that it was set up in the 60s, so during Yugoslav times, to honour the Partisans who died fighting against fascists. It is a Bosnian national monument, however, even upon entering it was visibly unkempt and overgrown. I didn’t understand why at first, since the Partisans are such a pan-yugoslav motif of remembrance. But then my friend Majda pointed out to me that the Partisans didn’t only fight German Nazis, but also Croatian fascist Ustashas. Mostar’s local government is made up mainly of ethnic Croats, and apparently some of them are not too keen on remembering the fascist part of their own heritage in any way at all. It is a shame. If you google pictures of the monument in its prime, you will see how beautiful it was.

Now, grasses, ferns and weeds have taken possession of the originally neatly kept three terraces with their cleanly kept gravestones, and moss is covering the walls and grounds in the shadier places. The gravestones are strewn about haphazardly. It is likely that quite a few of them have been broken – purposefully? Vandalism does seem to be a problem, and there is lots of rubbish hiding in the greenery. I still stand and contemplate the names and numbers I see on the uniquely shaped stones. The lives that hide behind them – what may they have been like?

I wish I understood more about the tradition or the symbolism behind the strange, uneven shape of the gravestones. Most of the decor of the monument seems to me to contain some hidden meaning that is inaccessible to me. A lot of it reminds me of war, though. Gun barrels. Crenels. Sniper hideouts. For the life of me I can’t make sense of the big ornament in the center of the top terrace.

Again the pointy part in the middle looks to me like it might be symbolizing firing guns, but the circles around are a mystery to me. I am still very much intrigued. The whole area reminds me of the Soviet War Memorial in Berlin’s Treptower Park (a place I have been wanting to write about in forever and may now just have to very soon!), they share a similar kind of aesthetics which is of course grounded in their relative contemporaneity and common ideological socialist background – and the fact that they are both monuments and cemeteries at the same time. Pompous, impressive, very much thought through, carefully arranged with clear shapes and their play on perspective. The Berlin one is a bit more blunt to me, very rectangular, whereas this one is softer with its winding walls and circles. To me, they are both really beautiful in their own way.

This used to be a well, and the water ran down the middle of the terraces to be collected in a pond a few levels below. Now it is filled with garbage and dried up. I imagine that water must have added a yet more peaceful quality to the place. But it is a pretty peaceful place today in the heat of late May – summer has definitely begun in Mostar. However overgrown, the place invites one to laze around, and I do lie on one of the walls in the sun for a while just daydreaming away.

From up here, it almost still looks as pretty as it used to be. The high grass next to me with the chirping crickets, however, reminds me of the wilderness this is now. It is hard to recognize, but in the circleshaped round down below someone has graffitied „One Love“ and a peace sign in the middle. It’s a beautiful gesture, especially when one also comes across indicators of Croat nationalism tagged on the wall, such as Ustasha signs or this line that says „God and Croats“:

I do wander what will become of the place, if it will ever rise to former glory. It would be a brilliant place for Sunday strolls. Funnily enough, I even pictured it as a great concert venue – slightly inappropriate, I take it, with it being a cemetery. But now people come to hang out here anyway – is that more appropriate? Granted, there are very few of them. I, however, see myself coming back here when I’m back in Mostar. For some quiet time away from the growing masses of tourists in the old town. But then, I am a fan of the morbidity of forgotten places. I am somewhat torn. I think this is a place that needs active memory culture, that needs appreciation and care. But I also love the way that nature has come to take it back for her own and made it so morbidly eerie.

An Afternoon’s Meditation – Chicago’s Graceland Cemetery

August 13, 2013 / bruecken_schlag / Kommentare deaktiviert

I have already written about my love of cemeteries as a place of rest, meditation and a new perspective on life. When Jesse suggests that I go to Graceland Cemetery on the Northside of the city, I am making a note of it immediately. One of the more humid and overcast days of my stay in Chicago, I take the bus to the red line of the L and go up to Sheridan to discover the large cemetery that has been the final resting place for many a Chicagoan since after the Great Fire in 1871.

The L stop at Sheridan already puts me in a slightly pensive mood, because it is of the run-down morbidity that I love about cities in Eastern Europe. The platform is made from hard wood planks, and the stairwells are narrow and have rusty bannisters painted in red. You can see through the grid onto the mezzanines and there’s a lot of old rubbish and flaked off paint. I think it is pretty. I am not sure why.

The entrance to the cemetery is on the far side coming from the L, so that I have walk along the high brick wall for quite a while. On the Southern side there is a piece of cemetery that is seperated from the street by just a mesh wire fence, and I catch a glimpse of the first tombstones. I see many German names, a foreshadowing of what I am about to see later.

After I have found the gate and entered, I immediately feel that this place is very different from all the cemeteries I have been to in Europe. Wide asphalt streets run between large patches of grass on which the tombstones are spread out as if desultorily, aimlessly planted just anywhere. I see no system, no plan.

You can stumble upon one family, and then rush right into the next one without noticing. As I contemplate that, I like it a lot. Because what system is there to death? In the beginning I am even unsure as to whether I would be allowed to leave the asphalt street, but then I notice that most graves cannot be reached unless you walk across the lawn. So I start venturing.

I come across many sites that have massive pillars crowned with sculptures, or sumptuous sarcophagi. Most of the people have been dead for a long time, a hundred years or more. Only occasionally will I come across a grave that is adorned with fresh flowers – I read somewhere about this cemetery that its eerieness stems from the fact that most children of the dead lying here are also dead. I don’t find it that eerie, though. Probably because it is so wide and light and so little overgrown. Some of the mausoleums are almost cold and sterile – very clean.

I start thinking about wealth. What would lead someone to ask for a final resting place that had something so pompous about it? I don’t feel like I could grieve properly in any of those cold stone halls, however impressive they might be. I do like all the stones that are just laid out on the grass, shone upon by a burning sun in the sweltering heat of the day. They feel integrated into the nature of the place.

As I walk from passed life to passed life, I come to the peak of one of the soft hills. There is a bush, and a tombstone hiding away underneath it, a bit aside from all the others. It does not seem to belong to any of the families around, and it is small and simple. Unobtrusive, like the bridge I will discover half an hour later and that I have written about here. I come closer and study the stone. Across the top it says EDWARD, and on the stone it reads „Died Feb 2, 1868, Aged 19 yrs. 6 months“. I sit down.

I wonder if anyone still knows about this grave and who this boy was. I wonder if he died because he was ill, or if he had an accident, or if he was poor. I think about how he has lived to see the Civil War, and wonder if he lost his family in it. I wonder if he ever was in love, and if he ever had a first kiss or if he ever got to lose his virginity. I ask Edward all these questions, but there is no answer from the small stone. As I get up again to explore more of the cemetery, I think that for what it is worth, someone took note today of this life that once was and said a little prayer for a boy who lived a life that was too short 150 years ago.

Matters of Life and Death – European Cemeteries

März 12, 2013 / bruecken_schlag / 21 Kommentare

Most people don’t exactly think of seeing a cemetery when they go to a foreign city. I used to be one of these people. I also used to be one of those people who could never even remember the orthography of the darn word. I swear I had to look up the spelling before I started writing this post. However, certain encounters with cemeteries have changed my indifference toward them, and I would like to share them with you. These are a few impressions from my travels through Europe:

1.Bystrzyca Kłodzka, Poland (2007)

When I went to Poland for six months as a volunteer, my beforehand instructions for the train journey to my tiny town were as follows: „About twenty minutes after Kłodzko station, you should see a cemetery to your right. The next stop after that is yours.“ So I was standing at the carriage door on a cold January night, approaching my destination, my nervousness growing at every stop since Kłodzko, asking myself how in the world I could spot a cemetery when it was pitch black outside.

But all of a sudden there was light in the utter darkness. What seemed to me to be hundreds of votive candles were glowing through the night and I was caught by the devout and solemn beauty of it with such force that I forgot to be nervous anymore. It was not an image of death. It was one of the afterlife and of eternity. I got off the train at the next stop and started my Polish adventure with the lights of hope in my heart.

2. Lviv, Ukraine: Lychakiv Cemetery (2009)

In Lviv, there is a street along which all the hospitals are lined up, and it connects the city center with Lychakiv Cemetery. The way into town used to be called the axis of life. The way to the cemetery – the axis of death. As morbid as this may be, I loved the symbolism behind it. It was so easy, so clear-cut and so utterly understandable: Life – or death. City – or cemetery. No shades of grey. Just definite answers.

Maria Konopnicka was a 19th century Polish writer and contemporary of…

… Ukrainian writer Ivan Franko.

Lychakiv is very old, it has been around since 1787. It has been used by different Christian confessions and different social classes, and it holds the Cemetery of the Defenders of Lwów – a war memorial for those who died here between 1918 and 1920 fighting for the city to become Polish again after Habsburg reign and World War One’s Soviet occupation. It holds graves of famous Poles and Ukranians alike. It was here that I noticed for the first time the specific aesthetics and beauty of tombstones, mausoleums and arcades in a cemetery. In the older parts of the cemetery, a lot of the stones are moss covered, and I couldn’t help but feel at peace with that image of nature reclaiming our manmade memorials for itself. I found the idea of all of us returning to nature eventually extremely comforting in that moment.

3. Sarajevo, Bosnia: Kovači Cemetery (2010)

The Sarajevo cemeteries are of particular sadness, because they are so large and such a big part of the graves are war graves. I learned here that in Islam, the graves that have pointed pyramid stale on one side and a round-tipped one that looks a bit like a bullet shell on the other are always war graves.

Passing through this scene having a view of a mosque, the orthodox and the catholic cathedral gave me chills. So much transcending of different cultures in this place – and that is exactly what brought about the war. All the tombstones have dying dates between 1991 and 1995. There is such a lot of unfulfilled potential buried here, so much unlived life. The gravity of it sunk down on me with force, and I cried liberating tears. And I was so grateful that there is peace today in my home country and in this country.

4. Zagreb, Croatia: Mirogoj Cemetery (2010)

Funnily, I only went to Mirogoj because I had told my Couchsurfing host that I had loved Lychakiv in Ukraine. It was a bright and sunny day in Zagreb, and going to the cemetery felt a bit off, but as soon as I got there and saw the entrance gate in all its splendor, I didn’t regret it. I roamed the cool alleyways for a while, wondering about the lives that had preceeded the deaths now shielded by the cold stone. It was by no means a sad wondering – just curiosity, really.

Then I heard someone sobbing. I looked around and it took me a while to discover an elderly woman, crouching down on a tomb slab, weeping bitter tears. The sight of it broke my heart. I circled her for a few minutes. Then I picked up my courage, approached her, put my arm around her shoulder, and she leaned against me and cried. After a while I told her in German: „Unfortunately I do not speak Croatian, but I am really very sorry for your loss.“ She looked at me with eyes so clear that they didn’t seem to fit her advanced age, and replied in the same language: „Me bit German.“ She told me how she was mourning her son. I held her, and I listened to her broken sentences. I don’t think that there was any other moment in my life when I felt more intensely what the notion of humanity means, and never before had I understood compassion as truly as I did then.I haven’t really felt these places to be very gloomy or scary. In fact I think that cemeteries allow us to reflect on death and life equally, and that they are places where emotions are maybe more dense than elsewhere if you let yourself feel them. They invite us to think about impermanence, about finiteness. I have always found things to be of the greatest beauty when I knew that they wouldn’t stick, and travel has taught me not to regret or fret about this, but to turn the knowledge of it into an immense gratitude for being there to witness the beauty of the moment. That is what cemeteries do for me. They make me grateful.